The Buddhist epistemologist Dharmakīrti (fl. ca. 7th century C.E.) developed a theory of yogic perception that achieved much influence among Buddhist thinkers in India and Tibet. His theory includes an odd problem: on Dharmakīrti’s view, many of the paradigmatic objects of the adept’s meditations do not really exist. How can one cultivate a meditative perception of the nonexistent? This ontological difficulty stems from Dharmakīrti’s decision to construe the Four Noble Truths as the paradigmatic objects of yogic perception. For him, (...) this ontological problem manifests in an epistemological corollary: “impermanence” (anityatā) and other features of the Noble Truths are conceptual, but the adept’s meditative perception of them must be nonconceptual. How can a nonconceptual cognition apprehend a conceptual object? A key aspect of Dharmakīrti’s theory of concepts provides a solution to this problem. Specifically, Dharmakīrti maintains that a concept, when taken as a mental event, can be considered a particular and thus an object of nonconceptual cognition. Taking this approach, Dharmakīrti downplays the notion that yogic perception is an encounter with real things in the world, in part because it is phenomenally akin to hallucination. Instead, what counts for Dharmakīrti—and what differentiates the adept’s realization from the madman’s hallucination—are the salvific effects induced by the meditative experience. (shrink)

One of the most basic stylistic characteristics of the Qur’ān is the agree-ment between syllables, sounds, lines and rhymes repeated at the end of the verses and give the same harmony. The question/problem “Are these words that have pleasant melodic structures and superior arts something that the Arabs of the 7th century Hejaz Region did not know, were not familiar with and did not hear, or are they expressions that existed in oral and literary types in their daily vocabulary (...) formed and embodied within the framework of well-known lexical customs and literary tastes?” is discussed in this article. For this purpose, the study examines the seciʿ and rhyming word structures in the verbal and literary discourses of the Jahiliya period Arabs. Then, based on the data in the ancient Islamic Literature, it examines the dialectical relationship of the melodic structures at the end of the verses of the Qur’ān with the characteristics of the seciʿ and rhyming literary products in the poems of the Arab poets of ignorance, and for the choice that the Arab society made it a custom and habit at that time to observe at the end of the words, and whether some rules of comparison of the language were abandoned or not. Of course, although the dialectical relationship between the seciʿ expression structures of the Qur’ān and the literary tastes of the Arabs of that period was addressed in the former literature with a weak and feeble voice between the lines, unfortunately, this has not been examined in modern studies yet. For this reason, we hope that the present study, which we think is original and authentic, will contribute to this field and as a result of the study, in which the literature review method was used, whether the harmonious, rhythmic, melodic sound and meter structures of the Qur’ān at the end of the verses are related to the literary tastes, lexical customs and traditions of the 7th century Arabs, or rather, these expressions were unknown to the Arabs of that day, will be uncovered along with the question whether it existed in a wonderful, transcendent and transcendent language and style that they were not familiar with, or in a local, regional, cultural anthropological nature that was compatible and agreeable with their tastes and expectations in that time. (shrink)

Gārgī Vācaknavī is known for her challenging interrogation of the sage Yājñavalkya, in what was by then a male dominated activity: philosophical debate. Gārgī distinguishes herself for challenging Yājñavalkya, being rebuked and challenging him a second time. Gārgī demonstrates her mastery over the concept at dispute (Growth, Expansion, Development) by being able to revise her approach to the question. Gārgī philosophically demonstrates the very idea she is investigating. Her salvos at Yājñavalkya display the two contrasting modes of philosophical investigation of (...) the early Vedas, characterized by naturalism, and the latter philosophy of the Upaniṣads, characterized as a procedural nonnaturalism. Gārgī engages in this dispute, challenging gender norms of her day. Over a millennia later, Gārgī and Yājñavalkya’s personas are reprised in a post-Vedic dialogue, the Yogayājñavalkya, on the technological application of Yoga philosophy. Here Gārgī is cast as the unassuming interlocutor—in stark contrast to her earlier firebrand, gender-norm-breaking performance in the Bṛhadāraṇyaka Upaniṣad (BU). As this latter depiction is not historically accurate, we will focus on Gārgī’s contribution to the BU. (shrink)

Repetitions (takrārs), which in the dictionary means ‘the repetition of something one after the other and its renewal in terms of wording and meaning’, are one of the most basic stylistic, address and textual structure features of the Qur’ān and at the same time one of the structural problems that have troubled the commentators. Repetitive nouns, verbs and letters in many verses, as well as sentences and phrases that sound like rhymes are of this kind. Although some of the benefits (...) of repetitions in the Qur’ān have been described in our tradition, it has also been stated by some that this is tiresome for a good and faṣīh word, far from any benefit, one of the disasters and defects of words that do not correspond to a mūciz word. At the same time, it has also been suggested that this is one of the things that indicate the corruption and weakness of the Qur’ānic naẓm and the existence of confusion in its naẓm. For this reason, literary scholars, linguists and commentators have considered the absence of repetition in phrases as one of the conditions of its feṣāhat (eloquence). In addition to all these, some in our tradition have treated these repetitive expressions not as a problem, but as a divine, transcendental style, and have sought a wisdom, a literary wit and a secret related to meaning. On the contrary, some have argued that the Qur’ān was revealed in the patterns of language use of the Arabs of that period, that the divine meaning and message was formed according to the speech patterns and styles of their words, advice and addresses, that the similarities of the patterns repeated in the Qur’ān were also found in their poetry, and for this reason, they associated the repetitions with the customs and habits of language use and literary tastes of the Arabs of the Hijāz region in daily speech and types of literature. Therefore, as some scholars in our tradition have argued, are these repetitions really a defect of expression, an artistic beauty? or structures that the Arabs of the nuzūl period did not know, were not familiar with, and did not hear, and that contain various subtleties of meaning? or on the contrary, are these expression patterns that were present and well-known in daily speech patterns and uses, in the literary genres of the Arabs of that day, and that were formed and manifested within the framework of their linguistic customs and traditions and literary tastes? İn this article, within the framework of these questions and problems, the relationship of the repetitions in the Qur’ān with the language usage customs, literary tastes, and linguistic cultural anthropological structures of the Arabs of the period of its revelation is examined. Therefore, as a result of this research, which is thought to be different from the existing academic studies, original and authentic, and the literature review method is used, ıt is clearly understood that the repetitions in the Qur’ān are ‘expressive structures related to the literary tastes, linguistic customs and traditions of the Arabs of the nuzūl period’ in terms of address/textual structure. (shrink)

History works written in the style of chronicles are used not only for the purpose for which they were written. Chronic works may also contain reflections on the position of the ulema (ʿulamāʾ) at the time of its writing and his view of the scientific world of the period in which he lived. This work is based on the book ʿIqd al-jumān fī taʾrīkh ahl al-zamān written by the celebrated Ḥanafī jurist (faqīh) and muḥaddith Badr al-Dīn al-ʿAynī as a public (...) history book. This article, focuses on the state of ḥadīth science and scholars in the Mamlūks between the years 648-707 (1250-1307) and approaches of al-ʿAynī to these issues based on the work of ʿIqd al-jumān. For this purpose, the work has been examined in terms of certain keywords that allude to the history of ḥadīth through electronic sources. In addition, the work has been completely reviewed with the traditional method in terms of allusions and information about the hadith studies of the Mamlūks period. Eventually, the historical elements of ḥadīth referred to in ʿIqd al-jumān, scientific institutions, different groups of rāwī, different narration methods and classifications made during the period have been identified. In addition, the professional, sectarian and political trends of the muḥaddith of the period in question were focused on. Comparing the information in the sources written in the field of general history with the studies focusing directly on the historical elements of ḥadīth will contribute to compare the similarities and divergences. This study is an example of how to make use of the wafayāt sections in chronicle works. Examining a single book that was not written directly in the field of ḥadīth - even if it contains important information - is not enough to find elements about the history of ḥadīth and to make constructions regarding it. This necessitates the formation of a team that will examine a large number of books using the same criteria. (shrink)

This book constitutes the refereed proceedings of the 7th International Conference on Logic Programming and Nonmonotonic Reasoning, LPNMR 2004, held in Fort Lauderdale, Florida, USA in January 2004. The 24 revised full papers presented together with 8 system descriptions were carefully reviewed and selected for presentation. Among the topics addressed are declarative logic programming, nonmonotonic reasoning, knowledge representation, combinatorial search, answer set programming, constraint programming, deduction in ontologies, and planning.

Previous chapter Before entering in the obscure forest of the history of rhythm since the 18th century, we need to know a few things concerning its most ancient past. Therefore I would like to start our journey by presenting the main conclusions concerning the origin of the term rhythm reached more than 60 years ago by Benveniste in an article that has not attracted enough attention in English speaking countries, but that still sheds a precious light on this matter (...) - Sur le concept de rythme – Nouvel article. (shrink)

The expression oikoi stratiōtikoi, used in Constantine VII Porphyrogenitus as opposed to oikoi politikoi, designates all those families who were bound to military service. They, in the tenth century, were listed in various enlistment registers that were periodically updated, among which one was kept in Constantinople. There is solid evidence to argue that such an administrative practice originated in the eighth century, coinciding with a significant transformation in the enrolment of soldiers and their maintenance. A conscription procedure was (...) devised in the age of the Isaurians, which, although it is not known whether it was on a voluntary or compulsory basis, entailed the entry in the military records (in Constantinople and the provinces) of every person in charge (oikodespotēs) of the family that had assumed the military burden. This implied in later periods a strong uncertainty in the relationship between service and its performance because registration rested on an ambiguous vocabulary. The ambiguity, in fact, was rooted in the polysemy of the concept of oikos, family unit, home and patrimony at the same time. While such a notion allowed the recruitment in thematic armies to function flexibly through the wide network of the family’s cognate and agnatic structure, precisely because the oikos was also a set of economic interests, it exposed the landed patrimony of military families to splitting and erosion. This ambiguity ended with Constantine VII’s famous law of 949, which regulated the property regime of the stratiōtikoi oikoi, a regime that, as the same provision explicitly states in several points, already existed previously throughout the empire. The law provided a precise economic quantification of the assets needed for each ‘military family’ to perform the service. Historiography has generally interpreted Constantine VII’s measure as an act breaking with the previous tradition, since military service appears in it much more markedly connoted as a patrimonial burden, rather than as a personal one. However, this ‘oppositional’ interpretation does not seem adequate for understanding the concept of oikos stratiōtikos, which from the outset must have implied a profound interrelationship between the personality of the service and its patrimonial basis, since the one did not exist without the other. (shrink)

Este artículo se centra en dos cuestiones: por un lado, la presunción de libertad en el «período literario» (desde el s. VIII en adelante); y, por otro, la cuestión de la esclavización, venta o servidumbre ¿voluntaria o no¿ de personas libres en la «época preliteraria» (ss. VII y VIII). Asumiendo de partida la idea de que la práctica legal en la Antigüedad Tardía influyó en las discusiones de los primeros juristas musulmanes, trataré de reconstruir el discurso legal de los siglos (...) I/VII y II/VIII y de mostrar que ese discurso contenía interesantes opiniones legales en relación a la venta de niños, servidumbre por deudas y la situación legal de los huérfanos. En la literatura legal que emergió desde el s. II/VIII los juristas, al contrario de lo que se hubiese esperado, no trataron estas cuestiones intensamente. Tal y como se muestra, existe una cierta inconsistencia entre el discurso ameno y controvertido sobre el tema del «período preliterario», que se reconstruye en este artículo, y la marginalización del tema en la literatura legal posterior. (shrink)

Resumen Este artículo explora las figuras del flâneur y del "mestizo". Reúno con el sustantivo "mestizo" una serie de operaciones estilísticas y retóricas que emplea Echeverría para describir el mestizaje como fenómeno histórico de las sociedades urbanas en las colonias españolas en los siglos XVI y XVII. Partiré de la lectura de Echeverría a Benjamin de principios de los años noventa. Luego analizaré la figura del flâneur y la del mestizo para mostrar algunas líneas de conexión, desde la estrategia alegórica (...) a la relación entre el barroco y la sociedad moderna. Por último, consideraré ambas figuras como paradigmas de sujetidad barroca, es decir, como principios de inteligibilidad de formas sociales que resisten las contradicciones de la modernidad capitalista.This article explores two figures: the flâneur and the "mestizo". Under the word "mestizo" I gather a group of stylistic and rhetorical operations that Echeverría uses to describe mestizaje as a historical phenomenon occurred in the urban societies of spanish Colonies during the 16th and 17th centuries. I start with a historical approach to Echeverría's readings of Benjamin from the beginning of the 1990s. Then I show some possible connections between both figures, from the allegorical strategy to the relationship between baroque and modern society. Finally, I conceive them as paradigms of baroque sujetity; that is, principles of intelligibility of social forms that resist the contradictions of Western modern capitalism. (shrink)

The following text is inspired by a special issue of the journal ESPES vol. 10, no. 2 (2021) entitled _Everyday Aesthetics: European Perspectives _and returns to the theme of _flâneurie_. It focuses on the Czech environment and, after a brief outline of the artistic _flâneurism _associated mainly with Prague, it moves on to the specific phenomenon of the Brno _štatl _and _štatlaři_, which are to some extent related to _flâneurism_. The _štatl _community followed the tradition of the _plotna_, a more (...) closed group of socially weaker inhabitants of the city in the first half of the twentieth century, whose features included a special dialect – _hantec_. _Štatlaři _recruited more from the milieu of the educated people, bohemians, and artists, adopted, and transformed. The aim of the study is to show which characteristics _flâneurism _and “_štatlař-ism_” have in common and in what ways they differ. Furthermore, we will address the question of how knowledge of the phenomenon of _štatlaři _can influence the perception of flaneurs when they are walking around the city of Brno. (shrink)

The following text is inspired by a special issue of the journal ESPES vol. 10, no. 2 (2021) entitled _Everyday Aesthetics: European Perspectives _and returns to the theme of _flâneurie_. It focuses on the Czech environment and, after a brief outline of the artistic _flâneurism _associated mainly with Prague, it moves on to the specific phenomenon of the Brno _štatl _and _štatlaři_, which are to some extent related to _flâneurism_. The _štatl _community followed the tradition of the _plotna_, a more (...) closed group of socially weaker inhabitants of the city in the first half of the twentieth century, whose features included a special dialect – _hantec_. _Štatlaři _recruited more from the milieu of the educated people, bohemians, and artists, adopted, and transformed. The aim of the study is to show which characteristics _flâneurism _and “_štatlař-ism_” have in common and in what ways they differ. Furthermore, we will address the question of how knowledge of the phenomenon of _štatlaři _can influence the perception of flaneurs when they are walking around the city of Brno. (shrink)

The following text is inspired by a special issue of the journal ESPES vol. 10, no. 2 (2021) entitled _Everyday Aesthetics: European Perspectives _and returns to the theme of _flâneurie_. It focuses on the Czech environment and, after a brief outline of the artistic _flâneurism _associated mainly with Prague, it moves on to the specific phenomenon of the Brno _štatl _and _štatlaři_, which are to some extent related to _flâneurism_. The _štatl _community followed the tradition of the _plotna_, a more (...) closed group of socially weaker inhabitants of the city in the first half of the twentieth century, whose features included a special dialect – _hantec_. _Štatlaři _recruited more from the milieu of the educated people, bohemians, and artists, adopted, and transformed. The aim of the study is to show which characteristics _flâneurism _and “_štatlař-ism_” have in common and in what ways they differ. Furthermore, we will address the question of how knowledge of the phenomenon of _štatlaři _can influence the perception of flaneurs when they are walking around the city of Brno. (shrink)

Now in its seventh edition, Ingrid Rima's classic textbook charts the development of the discipline from the classical age of Plato and Aristotle, through the middle ages to the first flowering of economics as a distinct discipline - the age of Petty, Quesnay and Smith - to the era of classical economics and the marginalist revolution. The book then goes on to offer extensive coverage of the twentieth century - the rise of Keynesianism, econometrics, the Chicago School and the (...) neoclassical paradigm. The concluding chapters analyze the birth of late twentieth century developments such as game theory, experimental economics and competing schools of economic thought. This text includes a number of practical features: a "family tree" at the beginning of each section, illustrating how the different developments within economics are interlinked the inclusion of readings from the original key texts a summary and questions to discuss, along with glossaries and suggestions for further reading This book provides the clearest, most readable guide to economic thought that exists and encourages students to examine the relevance of the discipline's history to contemporary theory. (shrink)

The literature of modernity, describing the fleeting, anonymous, ephemeral encounters of life in the metropolis, mainly accounts for the experiences of men. It ignores the concomitant separation of public and private spheres from the mid-nineteenth century, and the increasing segregation of the sexes around that separation. The influential writings of Baudelaire, Simmel, Benjamin and, more recently, Richard Sennett and Marshall Berman, by equating the modern with the public, thus fail to describe women's experience of modernity. The central figure of (...) the flâneur in the literature of modernity can only be male. What is required, therefore, is a feminist sociology of modernity to supplement these texts. (shrink)

The article reinterprets the sources of Parisian flânerie with the view of exploring 19th-century understandings of cultural and aesthetic modernity. It distinguishes between two separate though interconnected formulaic narratives about the flâneur. The first is the popular flâneur, associated with a new type of urban commercial culture characteristic of the 1840s; while the second is the avant-garde flâneur, embodied in Baudelaire's critical texts of the 1850s and 1860s. Juxtaposing these two different narratives of flânerie allows us to draw two (...) conclusions. The first is that the 19th century's evaluations of cultural modernity were considerably more optimistic than later interpretations would lead one to believe. The second is that the realms of popular and avant-garde cultures were far more porous and inter-dependent than canonical literary criticism has contended. (shrink)

This article offers an introduction to the question of God’s omnipresence as debated within the late medieval scholastic tradition as seen through the lens of Francis of Meyronnes. In Meyronnes’s commentary on distinction 37 of Peter Lombard’s Sentences, he attempts to categorize the various ways one might prove God’s existence in all things through a four-fold classification. In following his classifications, we are able to look back at some of the historical ways earlier scholastics have attempted to prove God’s omnipresence (...) and follow some of the changes in those approaches as the tradition has developed. Likewise, Meyronnes’s fourth and final classification will point us toward the future. His fourth way—interesting and puzzling in and of itself—offers early hints of future debates about God’s omnipresence and his relationship to place that will emerge in the late 14th century and then again in the 15th, 16th, and 17th centuries. (shrink)

In this essay, I do not want to focus on performativity as such and understand it as an aesthetic expression; instead, I would like to illustrate how performativity takes on the role consequential to an aesthetic experience. Specifically, I want to highlight how aesthetic experience takes place in the spatial contexts of the city. In this regard, I want to define the aesthetic-practical-sensory relationship of the soma, understood as a paradigm of a living body, that is, a body that moves (...) and acts in space, by declining three historical moments that tell the story. I want to define three historical moments from the early twentieth century to the present through the soma-city relationship: 1) The first moment is inscribed in the emergence of the Baudelairian concept of the flâneur, a symbolic figure who introduces a relationship with the city characterized by a disenchanted gaze and a slow, wandering movement picked up, especially by Walter Benjamin in the Paris Passages; 2) The second moment is that of Situationism, in which Guy Debord introduces the concept of dérive, understood as an approach to the city marked by the experiential and emotional relationship; 3) The third and most recent moment concerns Richard Shusterman's embodiment of the somaesthetic exercise, in which the Avatar of the Man in Gold, enters into a relationship with the city, aspiring to reconnect urban spheres and not to a pure somaesthetic experience of the city. The last point to be made is that these three historical and aesthetic experience-based moments of the body in the city are marked by the body moving in space. In the case of the flâneur, the body wanders in an unresolved manner without a precise destination; in the case of the drift, the body is propelled by the many sensations and expressions of the city that are expressed through walking (urban Walkscapes); finally, in the case of the Man in Gold, there is a movement totally absorbed in the experience of places. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Dictionary of Seventeenth-Century British PhilosophersA. P. MartinichAndrew Pyle, general editor. The Dictionary of Seventeenth-Century British Philosophers. 2 volumes. Bristol: Thoemmes Press, 2000. Pp. xxi + 932. Cloth, $550.00.The history of modern philosophy is flourishing. More scholars are producing excellent works in this area than ever before. A large part of this health is due to scholars whose primary training is not in philosophy, such as (...) historians of political thought or literature (hereafter: historians). The dictionary being reviewed here is a case in point, a production of more than ninety scholars of whom the overwhelming majority are not formally trained philosophers.The dictionary consists of about 400 entries, alphabetically from Isaac Abendana (d. 1699) to Richard Zouche (1590-1661) and chronologically from John Case and Richard Hooker, both of whom died in 1600, to Richard Mead (1673-1754). As this list indicates, the general editor construed "philosopher" very broadly, too broadly, I think. There should be no objection to including scientists like Robert Boyle and Newton, theologians like William Chillingsworth and Henry Hammond, and poets like Andrew Marvell and John Milton, each of whom wrote some works with philosophical import. But Ralph Bathurst, a physician, comes no closer to being a philosopher than being "an early admirer of Hobbes's scientific work and [having] contributed some enthusiastic Latin verses to the latter's Humane Nature (1650)" (75a). Likewise Richard Barckley (fl. 1598), about whose life virtually "[n]othing is known" and whose sole book may be described as consisting of "meatpies stuffed with commonplaces"—Montaigne's phrase—does not deserve inclusion (55a, 56a). (Jill Kraye, the author of the article, serves Barckley very well.)Ramist logicians "are largely excluded... [because] they tended to assimilate logic to rhetoric and to limit it to the orderly exposition of what is already known" (p. x). Nonetheless, it is unfortunate, I think, that Abraham Fraunce (c. 1558-1633) and George Downham (d. 1634) are not included.The best articles tend to be about the best philosophers of the age: Thomas Hobbes and John Locke by G. A. J. Rogers, Shaftesbury by David McNaughton, and Francis Bacon by Graham Rees (who pointedly observed about Historia ventorum that "Bacon accomplished the considerable feat of making the weather boring" [41b]). Although by quality of thought and influence, each of these warrant longer treatment, the editor was right to restrict their length to a modest six or seven pages, the same length as those about William Ames, William Harvey, Bernard Mandeville, and John Toland. There are plenty of other places to go for information about the great philosophers. What we want and what the Dictionary provides are articles about the obscure philosophers.Some of the other especially well wrought articles are those on Richard Baxter by William Lamont, Walter Charleton by Margaret J. Osler, Joseph Glanvill by Richard Popkin, John Hales by Victor Nuovo, John Wilkins by John Henry, and Thomas White by Beverley Southgate.The editor is not nationalistic in his understanding of "British." Scots who spent their academic career on the Continent are included. Also included are the Czech John Comenius (1592-1670), the Dutchman Franciscus Mercurius van [End Page 598] Helmont (1614-98), and the Venetian Marc Antonio De Dominis (1560-1624), as they should, because of their influence on British thought or sometime residence. By the same token, Hugo Grotius should have an entry; but he does not.An average of two pages each is devoted to six women, Mary Astell, Catherine Cockburn, Ann Conway, Margaret Cavendish, Jane Lead, and Damaris Cudworth Masham. They deserve more space, especially Cavendish, whose The World's Olio (1655) includes a utopian scheme.Some other articles that I wish had been longer include those about John Bramhall, Richard Crackanthorpe, William Davenant, and John Eacherd, each roughly two pages. Although the proportional space allotted to a thinker is generally right, I think some figures should not have been included at all. John Flavel (1596-1617) does not deserve even the 3 column inches devoted to him. Better to have assigned those inches to someone else. None of the remaining articles should be shorter than they are, not even the five pages devoted... (shrink)

This paper refers to habitation in the Byzantine Empire from the 7th to the 11th centuries and attempts a reappraisal of the patterns used to describe, evaluate and interpret the distribution of archaeological remains. Based on the study of a region in western Greek mainland, several contradictions between the historical and the archaeological evidence on settlement are being discussed; those reveal the prevalence of dispersed rather than nuclear patterns of habitation in the area. These patterns are further discussed within the (...) context of medieval settlement around the Mediterranean. The physical form of Middle Byzantine Episcopal sees is sought for while the term ‘κάστρον’ is examined against the “archaeological imaginary” of 6th–11th c. Byzantine fortified settlements. It is concluded that the contextualization of archaeological and historical evidence for Middle Byzantine settlements in Southern Epiros demonstrates instead a rather flexible organization of habitation; episcopal sees do not seem to have corresponded to any clear distinct type of settlement. It is therefore suggested that during periods of rapid social change expressed through a transformation of habitation, specific forms or sizes of settlements cannot be correlated to specific functions or other political or socioeconomic activities. There should rather be more of “hybrid” settlement formations of changing nature and mixed qualities. Given the dynamic development pattern of Byzantine habitats, there is room for such “open” analytical categories in the archaeology of settlements, in order to facilitate descriptions of find distributions which do not conform to the available theoretical patterns. These new categories could further lead to an emergence of new interpretation schemes bringing out the spatial differentiation and uniqueness which seems to have been very much the case in the evolution of Byzantine provincial settlement patterns. (shrink)

Recent research has shown that the use of astronomy as a chronological problem-solving tool has deep roots in the scholarly practices of the Latin Middle Ages, as is manifest from the writings of Marianus Scotus, Gerland, and other “critical computists” of the eleventh and twelfth centuries. This essay enlarges the existing picture by introducing a hitherto unknown epistolary treatise of the mid-twelfth century. Written in Lotharingia in 1144, this poorly preserved work documents an attempt to reconstruct the timeline of (...) world history via techniques that had emerged within the Latin computus tradition prior to the advent of Greco-Arabic astronomy. Drawing on the so-called computus naturalis, the author performed lunar computations on the basis of observed eclipses and used them to propose new dates for the Creation and the Last Supper. He also relied on a revised estimate of the time and date of the vernal equinox, placing it on 16 March, and gave a detailed account of how this result can be derived from solar observations with a meridian line. By virtue of these methodological features, the Chronology of 1144 represents an important transitional stage between the “critical computists” and the use of eclipse-based dating methods by later scholars such as Giles of Lessines (fl. 1260). (shrink)

To those who know little about the Middle Ages, the copying of manuscripts of “the ancients” (whether classical, such as the Roman poet Horace, or Christian, such as Saints Jerome or Augustine) often seems either a laudable act of preserving the past or an unfortunate fixation on repeating the words of others rather than penning new and original compositions. Even scholars of the Middle Ages appear sometimes more interested in new types of works such as fabliaux or courtly romances written (...) in the vernacular; when they study the practice of copying, they often concentrate on identifying prototypes or legacies. Finding old wine in old bottles has been a fairly constant theme in medieval studies; sometimes, we must admit, medievalists have just thrown out the old bottles and moved on to something completely new. In this context, it may seem strange to find a work about medieval Latin manuscript commentaries titled “The Birth of the Author,” responding to Roland Barthes's well-known essay “The Death of the Author,” published in 1984 and cited repeatedly since. What can it mean to see new, self-conscious awareness of the act of personal creation in works that are copies by scribes of other works that themselves comment on yet earlier works, often of a certain age or canonicity? Yet in this intelligent, engaging, and beautifully produced book, art historian Jeffrey Hamburger not only shows how those who wrote commentaries came to suggest that anyone who composes a work (even the scribe who copies it) could be considered a creator of meaning but also that the images in commentaries themselves sometimes make statements—indeed, statements more radical than those in the text—about the author of the work being illustrated. Long known as one of the relatively rare historians of medieval art equipped with a wide knowledge of theology and hence of how images respond to and reflect text, Hamburger here shows himself possessed of a shrewd eye for the image itself. He studies illuminated prefaces to, among other texts, the prose and poetic works of Horace as used in the medieval classroom, copies of the major biblical commentary of the High Middle Ages, the Glossa ordinaria, and Rupert of Deutz's erotically charged commentary on the Song of Songs. Changing the lens through which scholars have usually viewed such texts, Hamburger argues that images of authors of commentaries sometimes go beyond anything in the text to assert the authority not only of the author of the text commented on and of the commentator but occasionally even of the scribe.The Birth of the Author is a work of complicated analysis, and its full power demands close attention. Understanding how images construct claims that go beyond the text involves a good deal of careful looking. Hamburger is a patient and clear guide, but the reader must be prepared to flip back and forth between the magnificent colored images the publisher provides and to follow what are often painstaking arguments from comparison of small visual differences or puzzling identifications of seemingly strange details. The result of doing so is, however, to gain not only the reward of Hamburger's ingenious conclusions but also a lesson in how to look. For example, in a discussion of Gilbert Universalis's commentary on the Lamentations of the Hebrew prophet Jeremiah, Hamburger shows how Gilbert not only identifies Jeremiah as a “divine rhetorician” but also assimilates his own act of authorship to Jeremiah's prophetic speech. In the only extant copy of Gilbert's text that has a program of illustrations, the artist constructs both Jeremiah's speech and Gilbert's interpretation as similar acts of creation by framing both authors in parallel architectural images that evoke the Old Testament temple and a Christian church. Or to give a final example of Hamburger's interpretive reach: the book concludes not with yet another medieval preface but with an example of the far less usual manuscript epilogue. Here not only commentator, scribe, and illustrator but even the medieval reader construct themselves. Reception becomes interpretation, illustration becomes construction. In a commentary by the Carolingian figure Sedulius Scotus (fl. 840–60) on the Roman grammarian Donatus (mid-fourth century), the illustrator depicts Donatus as author and scribe (thus assimilating author into copier and vice versa). On the same folio, a later medieval reader constructs himself as reader/author in a charming marginal doodle that seems to entrap Donatus in a sort of hangman's noose. Thus, a bit wryly perhaps, Hamburger—himself teacher, commentator, and consummate scholar—seems to suggest that even frustrated students can construct themselves as interpreters and, yes, authors. Behind the seeming repetition and backward glance of the images in medieval commentaries lies radical and forward-looking self-awareness of the acts of authoring, interpreting, reading, and imagining. In Hamburger's analysis, the most seemingly conventional of medieval genres—the preface to commentaries on the texts of others—is a locus of the birth in illustration of the self-conscious and self-expressive author and reader. (shrink)

The core principles of 7th century Korean Buddhist thinker and practitioner Wŏnhyo’s harmonization in non-obstruction thought and Wilberian Integral Theory may help us to understand ourselves and the world better and thus act and live well together accordingly in this contemporary world facing global crises. Whatare particularly noteworthy in Wŏnhyo’s thought and life is that as much as reality is unobstructed (無礙) in its profound calm so can our mode of being and relationships be awakened to its natural harmony (...) free of conflicts (和諍會通). This ideal can be optimally pursued by coming back to the source of One Mind (一心) while extensively benefiting sentient beings. Wŏnhyo consistently pursued and realized this soteriological project through his practice, works, and expediently dedicated life. The most recent version of Wilber’ Integral Theory consists of Integral Approach, Integral Methodological Pluralism, and Integral Post-Metaphysics. Their core principles consist of the AQAL (all quadrants, all levels, all lines, all states, and all types) and holons with their twenty tenets (holonic laws). Extensively utilizing scientific achievements Wilber attempted to map the whole developmental territory of occasions ranging from matter to Spirit or Emptiness and to formulate the Theory of Everything and then apply it to various fields including business, spirituality, and ecology. Within this framework, however, MarkEdwards tried to add an integral epistemology with its interpretive part and to complement Wilber’s more evolutionary ranking ascent with involutionary egalitarian descent. By also critiquing representational—and thus somewhat reifying—tendency of the AQAL framework and proposing to read it as an interpretive lens hesaves Integral Theory from internal conflicts and rendered it more consistent. Being based on experience and vast scholarship both Wŏnhyo’s and Wilberian visions have an integral nature. Whereas Wŏnhyo’s Enlightenment-anchored high vision-logic enabled him to actualize harmonization unobstructedly, backed by scientific achievements as well as his practice Wilber pioneered the AQAL Integral Theory, and then by adding an interpretive dimension Wilber has made it more balanced and consistent system. Now facing the human-caused threats of various global crises as well as the usual complexities of our ordinary life, we need to draw on mankind’s cultural resources including these two spectacular achievements. We may then further develop these soteriological visions in such a way as to satisfy hopefully all justifiable needs of men as well as the world in a futuristic perspective. (shrink)